Applications Hello Voice builds and operates — interactive walls, holograms, projection mapping and CGI. Each one is the technology itself, not the campaign it was built for.
+50
Applications
BANK 01 / INT
Installations that respond to a person in the room — touch, gesture, movement or voice. The audience is the input.
HV-INT-04
A wall of eyes that follows you.
Dozens of screens, each showing a watchful eye that tracks people as they pass. Built to make digital harassment physically uncomfortable — an installation with an argument to make.
HV-INT-05
Tap it and it plays.
A wall of instruments anyone can play by touch — no skill required, no instructions, no queue discipline. Simple enough for a child and photogenic enough for the parent filming it.
HV-INT-08
Turn the cube, change the story.
A physical cube that drives the screen — rotate a face and the content switches. The interface is an object rather than a menu, so people pick it up without being invited to.
HV-INT-09
Point, press, explore.
Large-format touch screens for stands and showrooms, running product content the visitor controls themselves.
HV-INT-10
Control it without touching it.
Gesture-tracked screens that respond to hand and body movement from a distance — no surface to touch, nothing to clean between visitors.
HV-INT-11
The product explains itself.
A guided interactive detailer that walks a visitor through a product's features at their own pace — built for environments where the claims have to be exact.
BANK 02 / IMM
Hardware that puts something in the room that is not really there — holograms, headsets and light in mid-air.
HV-IMM-01
A life-size hologram that answers back.
A 75-inch holographic unit with a bilingual AI avatar. A sensor wakes it as someone approaches; they speak, tap or press to ask, and it answers on-brand in Arabic or English — all day, unstaffed.
HV-IMM-02
Somewhere you cannot build on a stand.
Headset experiences for the places a stand cannot contain — a plant, a finished development, the inside of a machine. Supervised, reset between guests, repeatable all day.
HV-IMM-03
Light, cut into shape.
A laser volume that draws geometry in mid-air inside a defined cube of space. Pure spectacle, readable from the other side of a hall.
BANK 03 / MMC
Content built for a specific surface — an LED screen, a building, a stage, or a headset. The technique is in the making, not the hardware.
HV-MMC-01
Depth without glasses.
Content built for LED screens that reads as genuine depth to the naked eye. No glasses and no app — the illusion works for anyone standing in roughly the right place.
HV-MMC-02
The screen that breaks its own frame.
Anamorphic content matched to the exact shape of an LED screen, so the subject appears to lean out of it into the room. Engineered around the one viewing angle every phone films from.
HV-MMC-03
Any surface becomes a screen.
Projectors and purpose-built content that turn buildings, stages and objects into animated displays. The geometry is surveyed first, so the content fits what is actually there.
HV-MMC-05
Content cut to the run of show.
Stage visuals built to the timing of the event itself. The reveal lands on the beat because the content was made against the cue sheet rather than adapted to it afterwards.
HV-MMC-06
The product, before it exists.
Full CGI for products and vehicles that cannot be filmed — because they are not built yet, or cannot be moved. Photoreal, and still usable long after the event is over.
HV-MMC-07
Look anywhere in the room.
360-degree film for onboarding and site familiarisation, where the viewer chooses where to look. Works in a headset or by dragging a finger across a phone.